FLORIST:
Goodbye.
Well...
Something
in particular?
BODIE:
Funeral.
FLORIST: I'm sorry.
BODIE: Naw, a funeral,you know?
FLORIST: No, no, I mean, I'm sorry for your loss.
BODIE: Oh, yeah.
FLORIST: That's a popular one. Who was it that passed, a relation?
BODIE: Naw, we worked
together.
FLORIST: I see.
A professional
relationship.
BODIE: Yeah, professional.
I mean, you know that tight,
but, he was still
my nigga, ya know.
FLORIST: I think I'm on it.
Follow me.
BODIE: Hell yeah, see,
this what I'm talkin' 'bout.
FLORIST: That gat-an-grip thing
over there sells a lot. We can do that in white,
or red, or pink carnations.
BODIE: Pink?
FLORIST: Your boy was too fierce for the pink?
BODIE: Naw, he wasn't
all that.
But damn, you know when
you stand with a nigga,
you stand with him
'til the end, otherwise...
Otherwise you ain't nothing yourself.
FLORIST: True that.
How your boy fall?
BODIE:
Hung hisself.
Over at the cut, man,
strung himself up.
Judge ran wild on his ass,
gave him 20.
I guess he couldn't handle
all them years, you know?
It's a weak-ass nigger
when you think about it.
But, ain't no reason to drag his
name down no further, you know? I'll tell you what.
Let me get something
in strong colors, right. Red, black, whatever,
but make it look like
one of them towers down
on Franklin Terrace, you know? The high-rises, right.
FLORIST: You want the arrangement
to look like a high-rise
housing project?
BODIE:
Hell, yeah.
Yeah.
And put the numbers 2-2-1 in
big-ass numbers on the front.
Alright?
He used to had that Fremont Tower for a while.
FLORIST: 2-21, alright.
Anything else
you want it to say?
BODIE:
Like what?
FLORIST:
"Rest in peace,"
"In remembrance,"
something like that?
Something that says
how you feel about the loss?
BODIE:
Look, man, fuck it, a-right, just, uh...
Just make sure the towers
look like they do, a-ight?
A-ight.
Thanks.
LANDSMAN: You cloned a what?
BUNK:
A computer.
RUSSELL: We can watch how cargo comes
off the ship in real time,
try to follow the contraband,
see where it leads.
LANDSMAN:
We're running
a 25-murder-a-month M.A.S.H. unit here
and you guys wanna
slow things down a bit
and do a little bit
of brain surgery.
If Rawls comes walking through
here and sees the two of you
hunched over playing videogames
on 14 open murders,
he's gonna fuckin' blow!
BUNK:
That is exactly why
we asked lieutenant Daniels
to set us up at his off-site,
over in the southeast.
They're looking at
the dock boys for other shit,
drugs mostly.
LANDSMAN: Daniels, who used
to be in Narcotics?
Yeah.
LANDSMAN: If Daniels has a detail
set up already,
maybe he takes
the murders, too.
BUNK: He ain't no fool, Jay.
He's just giving us
a room with no view is all.
RUSSELL: That was approval,
right?
He just gave approval to go ahead with this?
BUNK: I don't know.
RUSSELL: So what's next?
BUNK: Next is for us
to get them dock boys
back to thinking
that we've gone away.
I mean, we spooked 'em right
good with that grand jury shit.
If we're gonna
set up on 'em,
they need to think that we ain't
gonna be a problem no more.
RUSSELL: How are they gonna think that?
FROG: Naw, see, that ain't
the way it work, yo.
It ain't.
'Cause like, I'm
the one out here all day takin' the chance, right? I'm sayin', police
roll up into this bitch,
it ain't gonna be you
that catch no charge.
So, least-wise,
the thing you need to do
is lay all that good shit
down on an even-split, yo.
Come Friday, me and my niggas
done sold all that shit off,
you come past
and get paid.
That how
I'm at with it.
NICK: Hey, Frog.
Come here.
No, seriously.
Come here.
First of all, and I don't know
how to tell you this
without hurting you deeply,
first of all,
you happen to be white.
I'm talkin' "raised on
Rapolla Street white",
where your mama used
to drag
you down to St. Casimir's
just like all the other
little pisspants on the block.
Second,
I'm also white.
Not "hang-on-the-corner,
don't-give-a-fuck white,"
but "Locust Point I.B.S. Local 47 white."
I don't work without
no fuckin' contract,
and I don't stand around
listenin' to horseshit excuses
like my cousin Ziggy,
who, by the way, is still owed money
by you and all your down,
street-wise whiggers.
You go in your pocket,
come up with 500 in advance
and the 210 that you owe to Zig,
you can work my package.
FROG: I'm sayin', this is
the shit you had
out here last week?
The dimes that Moochie
was slingin'?
The shit was good. Moochie sold out quick.
Alright.
I'm sayin, I'm gonna send
my man 'round with the dollars.
Keep it real, yo.
NICK: Whatever. Yo.
D.C. CONTACT: Everything
to your satisfaction?
STRINGER: Yeah, you on it.
D.C. CONTACT: Prison people
taking it that
that boy hung
his own self, right?
STRINGER: Seems so.
D.C. CONTACT: My cousin
always work clean.
None of my business,
I know,
but did your man Avon
even knew about it?
You're on your own
here, huh?
STRINGER: You're right.
It ain't none of your business
and if I were you,
I wouldn't want a word
of this mess up in Avon's ear.
D.C. CONTACT: Baltimore niggas off the hook.
I swear.
All y'all.
BEY: You better get up in this
'fore it get cold.
This shit is good.
My man, that bullshit
ain't on you.
It ain't, man.
I mean, up in here, Dee knew
he had to stand on his own.
You know this.
AVON: Man, fuck him.
He knew when he hung himself
how we was gonna carry it.
He knew when he did that that
we
was gonna be in a moment,
like this, right now.
He knew that.
That nigga did that shit
to hurt me, man. But, you know, man,
Dee was just fuckin' weak.
I tried to crimp him along
since he was a shorty,
nigga, you see me.
I try to bring him up,
man, bring him along--
BEY: You was good to him,
you was real good to him.
AVON: I was.
BEY: Yo, man, it's sad
what happened.
That shit is sad,
it is.
But the boy almost
rolled on you that one time.
And you know, he get to thinkin'
he can't do the years in here,
he might've could've
rolled again, who knows?
I'm just sayin', it might've been for th best, you know?
CARVER: His name is Head.
Dick Head.
Whoa, check this out.
Put your finger
right there.
Huh?
HERC: Nice.
CARVER: Nice, right?
STORE OWNER: Fellas.
CARVER: We need a bug.
HERC: Something that can
stand up to the pressures
of the modern urban
crime environment.
STORE OWNER: Let me show ya.
Okay, fellas,
this is the real deal.
Smaller than a 22 and it's got
a clear channel, sturdy as hell.
You get this bad boy within
conversation,
it sounds like Chuck Thompson
doing play-by-play.
CARVER: How much?
STORE OWNER: 1,500.
But seeing as
you're sworn officers,
the police discount
drops it to 1,250.
HERC: You in?
CARVER: Am I in?
The man just said
$1,250.00, Herc.
HERC: Can we give it
a test drive?
STORE OWNER: A test drive in the modern
urban crime environment?
Yeah, leave me a credit card
and take it for 48 hours.
Change your mind,
bring it back. No problem.
HERC: Let me consult
my partner.
STORE OWNER: Of course.
HERC: You got
a credit card?
CARVER: Don't you?
HERC: It's maxed
to the max, man.
Hey listen, we been doin'
hand-to-hands for a while now
and we ain't no higher up
on the ladder on those corners.
We're just gonna use it
for a couple days,
get what we need
and bring it back.
DANIELS: I gave your man
some room is all.
RAWLS: You gave him a home.
Detective Moreland's target e same as yours.
DANIELS: No.
RAWLS: Yes.
You could take
these 14 homicides
and turn that
half-assed detail
you got going into
something that matters.
And I'll be honest,
you solve the murders,
I'll love you
for the stats.
And if you don't, I've made it
so the homicide unit
doesn't have to bear the whole
brunt of a lower clearance rate.
It's win-win for me.
DANIELS: No.
RAWLS: C'mon, Lieutenant.
A good turn here forgotten.
DANIELS: I'm trying to dig myself
out of the basement
with something simple
and clean here.
Drug arrests,
maybe a prostitution
bust if I get lucky
and I'm out from under
with Burrell.
Sorry, Colonel.
You keep the murders
and my ass stays covered.
RAWLS: Smarter than he looks.
(Whistling)
(Latin music on car radio)
SOBOTKA: here's your friend?
RUSSELL: Who's that?
SOBOTKA: The black fella,
the Homicide guy.
RUSSELL: Case is done for all I know.
SOBOTKA: Yeah?
RUSSELL: Yeah, you all
didn't go for nothin'
and no one on the ship
did neither.
So, they sent me back
and moved on to new business.
SOBOTKA: So you back
to the usual then?
RUSSELL: Yeah, the usual.
Except I won't be around Patapsco or Northpoint much.
SOBOTKA: No?
RUSSELL: Starting tomorrow I'm down
at the Fairfield terminals.
SOBOTKA: Fairfield?
RUSSELL: Yeah, bosses want another car
patrolling the chemical plants.
'Cause of terrorism,
I guess.
SOBOTKA: You're too pretty for
the Fairfield piers, darlin'.
You need to be uptown
here with us.
(Latin music on car radio)
HERC: You got stripes
in the southeast
and can't pull Valchek's spy van
to work his own fucking detail?
CARVER: Man, I've never
seen that thing.
HERC: Snug...
CARVER: As a bug...
HERC: In a rug.
Let's go.
FREAMON: Shit's hypnotic.
BUNK: Boring, too.
You make
a show of it?
RUSSELL: Let everyone working
see in that radio car. Is that
the Valiparaso?
BUNK: Mmm-hmm.
RUSSELL: It ain't a Talco line ship,
doesn't have Horseface working,
probably wasting half a day
watching it offload.
BUNK: Yeah, we should be
at the bar by now.
FREAMON: Nothing's wasted.
I'm getting a feel
for this shit.
How it plays and works
without the dirt.
RUSSELL: So when
they lose a can...
FREAMON: I see it go.
(Chattering)
PITCH MAN: Gentlemen.
Ladies.
The future is now.
(Voice over) To bring goods
to an exploding global economy,
and to deliver those goods
faster, cheaper and safer,
modern robotics
do much of the work
in the world's largest
seaport, Rotterdam.
Moving cargo is a traditional
strength of the Dutch
who shuttle more freight
and fewer man hours
than any port
in the world.
And now, the Dutch have modeled
the future of cargo management,
completely containerized
cargo arrives and departs
on ships a third
of a mile long,
24 hours a day with short
turnaround.
Smart card technology
provides greater security
and improved accountability
with no need for unreliable
human surveillance.
FROG (on police bug):
Hey, yo, Frog, man, we light
five caps is all, man.
I'm sayin', you gettin' all
ridiculous over bits and pieces.
Ya feelin' me?
(Other male) Naw, nigga, it's
the principle of the thing.
I mean, it's like you
in a fuckin' store
workin' the register
and at the end of the day,
the shit just add up.
Mad Dawg gonna roll up through here tomorrow
with the re-up and I want to
have the package right for once.
FROG: Alright.
HERC: Hey, Carv.
Isn't technology
the fucking bomb?
Huh?
(Voice over) And global positioning systems
guide each container
to its proper spot
on board or on the docks,
while state of the art computers
track shipments in every part--
PITCH MAN (turning off): Some of the systems
you're seeing have
already been upgraded.
Rotterdam now works 350 million
tons of cargo annually,
leaving Singapore a distant second.
SOBOTKA: What kinda man hours are the
stevedores clockin' over there?
PITCH MAN: You know, um, I don't
have those figures handy.
I'm sorry.
But Rotterdam does
employ 4,000 people.
NAT:
4,000 people to move
350 million tons a year?
PITCH MAN: That's right.
SUIT: That's efficiency, Nat.
PITCH MAN: By eliminating some of the most dangerous work,
the Rotterdam technologies
have reduced
employee work-related accidents
and injuries by 60%.
I think we can all be pretty
happy with that, can't we?
Question, yes?
MAN IN THE AUDIENCE: Yeah, the G.P.S. readings, are they exactly...
SOBOTKA: You can't get hurt if
you ain't workin' right?
PITCH MAN: No, no, they work with
all kinds of cargo,
in all kinds
of weather.
(Doorbell)
JACKIE: Coming.
STRINGER: Hey, Jackie.
JACKIE: String.
You, too, huh?
We got enough food for
three wakes right now.
STRINGER: How's Brianna?
She back there?
What's up,
little man?
How you holdin' up? Bri.
Brianna.
(Sobbing)
HORSEFACE: Nicky boy, you get
days this week?
NICK: Nah.
SHAVED HEAD DOCKER: Four ships
on Thursday.
You could've pulled
a day for sure.
NICK: That's your half on
the last two packages,
plus what Frog owed you
on your own shit.
It's all there, cuz.
What the fuck is
wrong with you, smiley?
ZIGGY: Nothing.
NICK: Zig...
ZIGGY: What'd Frog say?
Here's a couple
hundred extra,
make the little goof happy.
The packages were
my thing, Nick.
Fuck if you ain't handle
that business better, too.
NICK: Zig, we're
making money.
(Laughing)
ZIGGY: It's your move, Nicky.
Fuck it.
I got other issues
right now.
NICK: Paternity?
Priscilla Katlow?
Oh Jesus, Zig.
You knocked up
Prissy Katlow?
ZIGGY: I only fucked
her once.
NICK: Christ, everybody down the point
fucked her the once, Zig. How you know
it's yours?
You call this lawyer?
ZIGGY: Figured I'd get drunk first.
NICK: That's a good plan.
(Dance
music)
GREGGS: Russians?
PREZ: Lotta girls.
Pretty ones.
Most of 'em had some
kinda accent anyway.
GREGGS: I guess Shardene's friend
hooked us up good. Who's in charge?
PREZ: Well, you got
the club people, I guess.
And there's some woman
I seen go into the back room.
She looks a
little bit older. I couldn't get close enough
to say much about her.
She looks about 40.
GREGGS: So...
Grab any ass, Prez? (Laughing)
DANIELS: What I'm saying is
I've sorted it out for us.
I have.
MARLA: For us?
DANIELS: When I was in the basement,
it made sense to quit.
It did.
But once Burrell
reached out--
MARLA: But Burrell is the one
that you crossed.
And he's not likely
to forget that, is he?
Not to mention what he knows
about you from the bad old days. Oh, Cedric, fools half your age
are gonna be major and colonel
and you'll still
be thinking
that scratching out
a case or two will save you.
DANIELS: It isn't about casework,
I know that.
Just today, Rawls
calls me up to C.I.D.
Asks me to take his homicides
from the dead girls
in that shipping
container.
I told him, no shot.
That case is a loser.
And if I'm looking out
for number one,
I'm gonna bring Burrell
exactly what he asked for,
and exactly what he needs to make Stan Valchek go away.
No more, no less.
I'm playing
their game this time.
NAT: Look, it's one thing you taking
a run at this dredging thing.
Fucked-up as you are we can
let that slide for a while,
but now, man,
you asking too much.
SOBOTKA: One more year, Nat.
Not for me,
for the fuckin' union.
NAT: The elections'
been scheduled.
And you knew last year
when we gave you the votes
that this time
was gonna be Ott's turn.
You knew that.
SOBOTKA: So Ott runs next time he'll take that year
and the next.
NAT: It's our turn, Frank.
SOBOTKA: Black, white,
what's the difference, Nat?
Until we get that fuckin' canal dredged,
we're all niggers,
pardon my French.
NAT: Or Polacks,
pardon mine.
SOBOTKA: You know what I'm sayin',
this ain't about Ott.
I just want one more year
to finish what I started here.
One more year. Then Ott stays
secretary-treasurer
for the next two,
no problem.
Think about it.
(Phone ringing)
DIBIAGO (on the phone): Hello?
SOBOTKA: Brucie, baby.
DIBIAGO (on the phone): Frankie Sobotka,
how's it hangin'?
SOBOTKA: You talk to the presiding officers yet?
PREZ: Lotta girls.
Lotta muscle.
GIRL: Zig, Jesus.
Off me, you jerk.
NICK: Yo, Zig.
When did you get
served with these?
ZIGGY: I got 'em in the mail
this morning.
NICK: In the mail?
ZIGGY: Yeah, this morning.
NICK: When Pokey Barber
got hit with paternity, a sheriff had to come to his
house and serve him with papers.
(Laughing)
NICK: Hey, Dolores,
can I use the bar phone?
DOLORES: The fuck are
you callin'?
NICK: The lawyer on this
fucking piece of bullshit.
ZIGGY: What?
Ain't no fucking
law firm open
in the middle of
the goddamn night.
(Cell phone ringing)
MAU: Shyster,
shyster and shyster.
(Laughing)
NICK: He got ya, Zig.
ZIGGY: Who got me? Maui?
MAU AND BUDDIES:
Love child,
never meant to be, Love child,
born in poverty, Love child,
never meant to be...
HOTEL CLERK: There's no restroom
in the lobby
and if you're not
an approved visitor,
I just don't have
the authorization.
GREGGS: Oh, okay.
Um, tell me something,
when you have to go,
where do you go?
HOTEL CLERK: Excuse me, sir?
Are you a resident?
PREZ: Sorry, I um...
Wrong building.
Sixth floor, all of them.
FREAMON: Thomas "Horseface"
Pakusa.
Slated to be the shiprunner
on Talco line's Esmeralda. E.T.A. noon tomorrow,
berth six, Patapsco terminal.
RUSSELL: So we're on.
BUNK: We're gonna need help
with surveillance.
On the docks especially,
since our faces
are known down there.
FREAMON: I can reach out
to Greggs and Prez, maybe.
Bring them in on it.
RUSSELL: Should we tell
the lieutenant?
FREAMON: Right now, the less
the lieutenant knows
he's involved in
the murder investigation, the happier
he'll feel.
FROG: New truck, yo?
NICK: Ah, what the fuck,
we're makin' money here, right?
FROG: Hell yeah,
for real.
HERC: Hey, this guy's like
some kinda supplier.
Snap some shots
of the truck tags.
FROG: You got more for me?
NICK: I got if you got for me, right?
FROG: Gots to say,
your thing is tight.
Best around here
in a long while.
HERC: Oh fuck.
FROG: Much as you can, homes,
much as you can. For real.
NICK: I'm with ya
on this man...
(Feedback)
I'm with ya
on this man...
FROG: A-ight, dawg.
CARVER: Oh fuck me!
Come on,
what the fuck.
DRIVER: Asshole, what the fucks
wrong with you?
CARVER: Keep it fucking movin'.
Jesus Christ!
No, no, no, no, no!
Fuck you!
FREAMON: I cleared it
with K.G.A.,
We'll be workin'
off of channel six.
Prez, you got the eyeball on the outbound truck gate.
Need you to set up
so you can move in either
direction on Broening Highway.
Bunk, you set up
on Newkirk and Broening.
Me and Russell will be
inside on the computer.
That leaves the terminal
itself to Kimmy.
RUSSELL: They might not
know my face,
but I sure as shit
can't hang down there.
I'm thinkin' I should borrow
that CG&E truck from Narcotics.
Slap on a hard hat,
pick up a clipboard.
PREZ: What if they're not sneaking
anything off this time? What then?
FREAMON: Then, tragically, you will have
wasted yet another day in a life
you've already misspent
in the service of
the City of Baltimore.
HORSEFACE: Nothing's alive
in these, right?
SOBOTKA: If they don't go
hot to a truck,
you go back in the stacks
and bang on 'em to make sure.
I trust these Greek fucks
with nothin'.
How you hangin'?
NICK: Good.
I'm good.
SOBOTKA: You ain't been workin' much.
Stay close, Nick.
Stay close.
Don't do anything I wouldn't do.
SINGER: Jesus on the mainline,
tell him what you want
Oh, Jesus on the mainline,
tell him what you want
Jesus on the mainline,
tell him what you want
Call him up
and tell him what you want
If you want salvation,
tell him what you want
Oh, if you want salvation,
tell him what you want
If you want salvation,
tell him what you want
Call him up
and tell him what you want
Oh, call him up, call him up,
tell him what you want
Oh, call him up,
call him up
Tell him
what you want
Call him up, call him up,
tell him what you want
Jesus on the mainline now
POOT: You did the 2-2-1?
Shit look tight, yo.
JOE: Sorry for the loss.
Y'all sent him off
right, though.
As good a homecoming
as I been to.
STRINGER: And you been
to your share, man, I know.
JOE: No doubt, no doubt.
'Course this is neither
the time, nor the place,
but I thought I might
get at you for a moment.
Got a proposition here.
STRINGER: Go 'head
to the car, man.
JOE: Ain't exactly talkin' outta turn
when I say that westside dope
been weak for a while now.
Every dope fiend in the city
know Avon been puttin' out piss
and callin' it shit.
And the thing is,
y'all sittin' on some
of the best real estate
in the city.
The terrace, the low-rises,
the avenue corners.
STRINGER: Now, respectin' the fact
that you known
to havin' a way
with your words, man,
when the fuck you gonna tell me
somethin' I don't know?
JOE: A-ight.
Let me put a point on it,
my shit is right, String.
I got dope comin' straight into
Baltimore and the shit be raw. 85, 90%.
And you know
it's true.
You got half the westside comin'
over the fallsway twice a day
because eastside dope be kickin'
the shit outta westside dope.
STRINGER: You connected, huh?
JOE: This shit is straight off
the damn boat.
I ain't even goin' to New York
'cept for my coke, String.
Ain't no need. Thing is, y'all got the best
territory and no kinda product.
I got the best product,
but could stand
a little more territory.
So you see where
this thing need to go.
STRINGER: Now you know Avon fought real hard for them towers.
We took down
the Rayford brothers,
Big Dennis Woodson,
I mean--
JOE: Shit is just
business, String.
Buy for a dollar,
sell for two.
That's all it need be.
You got the towers,
I got what goes in 'em.
Later for all
that bullshit.
STRINGER: I'll talk to Avon.
JOE: You do that, homes.
You do that.
SOBOTKA: C'mon,
Bruce, I can
read a budget summary.
There's nothing
in there for dredging.
DIBIAGO: Shortfall in revenues.
The governor's looking
to limit bond issues.
But the grain pier
is still in there.
SOBOTKA: And the rest
is just talk?
DIBIAGO: Talk is good, Frank.
Talk is a start.
SOBOTKA: Talk is your fuckin'
job description.
Yak, yak, yak,
blah, blah, blah.
DIBIAGO: That's like saying
all the checkers do
is punch numbers into
a computer, Frank.
SOBOTKA: Your son...
The oldest one,
he goes to what school?
DIBIAGO: Jason's at Princeton.
SOBOTKA: Princeton.
And after he graduates
he's gonna do, what?
DIBIAGO: Whatever he wants.
SOBOTKA: Right, you sent him
to Princeton
to do whatever
the fuck he wants.
You know,
back when we was kids,
Danny Hay's father stole a case
of cognac off a ship.
'Cept when he gets it home,
it ain't cognac, it's Tang.
DIBIAGO: Tang?
SOBOTKA: Just invented. TV was saying it's
what the astronauts drank
on their way
to the moon.
You drink it, well...
DIBIAGO: You could be
an astronaut too.
SOBOTKA: All summer long, that shit
was all the hare kids drank,
Tang with breakfast,
Tang with lunch,
Tang when they woke up scared
in the middle of the night.
What do you think
they grew up to be?
Stevedores.
What the fuck
you think?
Something tells me Jason Dibiago will grow up
and squeeze a buck
the way his old man did.
DIBIAGO: You're outta line, Frank.
My great-grandfather
was a knife sharpener.
Yeah. Pushed a grinding stone up
Preston Street to Alice-Ann,
one leg shorter than the other
from pumping the wheel.
And since he didn't want his
sons to push the goddamn thing,
he made sure my grandfather
finished high school
and my old man went to
any college that would take him.
SOBOTKA: You're talking
history, right?
I'm talking now.
Because down here, it's still
"Who's your old man?"
'Til you got kids
of your own
and then it's,
"Who's your son?"
But after the horror movie I seen today... Robots! Piers full of robots!
My kid'll be lucky
if he's even punchin' numbers
five years from now.
And while it don't
mean shit to me that
I can't take my steak knives
to Dibiago and Sons,
it breaks my fucking heart
that there's no future
for the Sobotkas
on the waterfront!
Here, Brucie.
I think they're
your size.
I'm operating under
the assumption that
because of your
relentless diligence,
the funding for the grain pier
is gonna pass the Assembly. But I'm also talking
about the canal,
so you're gonna
talk about the canal,
so the Muldoons who
run the old line state,
they're gonna talk about
he canal 'til someday, someway,
that motherfucker gets dredged
and we get some ships in here.
DOCKER: Bring it down!
RUSSELL: Got one
that disappeared.
FREAMON: Get the container number?
11-37 to 12-14.
GREGGS: Go ahead, Lester.
FREAMON: We've got one,
you prepared to copy?
GREGGS: Send it.
FREAMON: Zulu-tango-golf-romeo-nine
seven-three-two-six-five, check digit nine.
GREGGS: Copy that, i've got it
in the yard.
FREAMON: 11-99.
PREZ: 11-99.
FREAMON: We got a live one,
be up.
PREZ: What am I looking for?
FREAMON: Stand by on that.
GREGGS: Be advised I've got a
white male, orange safety vest,
blue overalls.
He's hooking the truck
onto the, ah...
What you call it.
FREAMON: Copy that.
What next?
RUSSELL: One of two things.
The driver takes it
through checkout.
In which case it might be that Horseface
just entered
the wrong container number
and they find it there.
Or it goes out
the bobtail lane.
If it does that,
they're doing the dirt.
FREAMON: 11-37 to 12-14. Kima keep the eyeball
until it clears the yard.
Advise if it stops
at the checkout point
or goes straight out.
GREGGS: Copy.
12-14.
He went around
the checkout, copy.
FREAMON: 11-37 to 11-99.
PREZ: 99.
FREAMON: Target's comin' at you, you see it?
PREZ: I got him on Broening
heading west towards the city.
FREAMON: Copy, 11-37 to 11-34. Target approaching your
20.
BUNK: 11-34, copy that.
PREZ (on radio):
I got him going
straight on Newkirk.
He's all yours, Bunk.
BUNK: Copy.
FREAMON: 11-34, you got
the eyeball.
BUNK (on radio): Copy.
11-34.
FREAMON: Go ahead, 34.
BUNK: He went to ground
off of Newkirk.
Some kinda warehouse. Wait one...
I'll swing back,
get a 20.
Be advised
it is a warehouse.
Pyramid, Inc.
56-0-5 Newkirk.
FREAMON: Copy that.
AVON: Brianna, man...
STRINGER: She puttin' it
on you, huh?
Avon, you knew
he was using?
AVON: I seen it,
but I didn't see it.
I mean, he came
up off of that shit
before we did our thing
with the guard,
and I thought...
Fuck.
STRINGER: Well, we did our thing
with the homegoing, man.
I mean,
it came off nice.
AVON: Yeah?
STRINGER: Yeah, everybody showed.
AVON: How'd Brianna do?
STRINGER: Rough.
AVON: You know, don't nobody want no
shit like this to happen, man.
If I'd would've know the boy was
gon' be doin' shit like this,
you know what I mean.
STRINGER: What are the prison
people sayin'?
That he just hung
himself like that?
AVON: Just tied a rope around a knob
and sat his ass down.
STRINGER: Yo, how the fuck
you gonna stop a man from doin' some shit
like that, huh?
I mean, what are
you gonna do?
Stay with him every damn minute
every day you can?
I mean, he gonna
find a way if he wants to.
It ain't on you.
It ain't... on you.
I would tell you
if it was.
AVON: What's up with that
other thing, man?
STRINGER: Still shit, man.
Your man in Atlanta,
he don't know what raw is.
I mean, we gonna
discount it.
AVON: Do I look like K-Mart to you, man?
STRINGER: I'm sayin',
I mean...
AVON: What are you sayin', man,
that's ridiculous?
Re-package it, man,
and sell it off.
STRINGER: You know, Proposition Joe,
he came to the funeral.
Pulled me aside.
I mean,
he's got a smoker.
Everybody knows
he's got a smoker
and he wants to share if we
cut him a slice of the towers.
You know, it's just
a thought, I mean...
AVON: It's not even
a thought, man.
No.
Let me tell you something. We're gonna get through
all this, you hear me?
We're gonna get
through all of this.
STRINGER: I know.
AVON: All of it.
GREGGS: Anything come out?
BUNK: If there were girls in that can,
they're still inside.
PEARLMAN: Your D.N.R.'S
go where?
FREAMON: Phones for
dockworkers local.
Offices and personal phones
for a couple of union officials.
PREZ: Lookit, 5-3-7-1-3-7-3-7
is listed to Thomas Pakusa.
FREAMON: On February the fourth and
March 16th our Mr. Pakusa
received a call from s cellphone.
RUSSELL: And both times, he works
a Talco line ship the next day.
FREAMON: And both times, a can goes
missing in the computer.
Pretty good argument
for a conspiracy case.
PEARLMAN: Conspiracy
to do what?
RUSSELL: Smuggle shit.
PEARLMAN: Smuggle what?
PREZ: For starters, how about bringin' girls over here
for purposes
of prostitution?
That one
we know about.
PEARLMAN: You need to do better
for a wiretap.
Read your
annotated code. Wiretap statute,
subsection 10, 4-0-6,
designates crimes where
telephonic communication
can be intercepted
in the great
state of Maryland.
Prostitution?
Uh-uh.
RUSSELL: You mean you can tap a guy's
phone if he's selling drugs,
but if he's selling women
he's outta bounds?
PEARLMAN: That's the law.
NICK: Honey, I'm home.
Start looking at
the two-bedroom joints.
We can pay.
AIMEE: How?
NICK: Got a new job.
AIMEE: Off the docks?
NICK: Like three,
four days a week.
Warehouse foreman
for this Greek guy.
He owns an appliance store
down the avenue in Highlandtown.
I can work it around
the hours that I pick up
down at the docks.
AIMEE: How much, Nick?
NICK: Come here.
Come here.
Like 500 a week,
maybe more.
But steady.
You know,
we can count on it.
Between what you make
with them scissors and this,
we can pay down the truck
and still have enough left over for someplace nice
out in the county.
CARVER: $1,500.00.
HERC: $1,250.00 with
the police discount.
It just couldn't
stand up
to the modern urban
crime environment, man.
Alright, slow up.
This is it, it's listed
to Nicholas Andrew Sobotka,
1485 Renolyd Street.
CARVER: Sobotka?
HERC: That's what it says here.
CARVER: That mean anything to you? Yo, Beavis.
That's the name of the guy
we're supposed to be working. Frank Sobotka.
HERC: But we got Nicholas.
CARVER: How many fucking Sobotkas
can there be?
Even down here
in Polacktown.
You know
what this means?
What?
It means ole fuzzy Dunlop here,
somewhat worse for wear, I admit,
is really gonna start paying off
as a confidential informant.
CARVER: No fucking way.
HERC: Are you out
$1,250.00?
Because linking a street-level
drug connect to our main target
has to be worth a couple
hundred for starters.
Listen, if I try to register him,
Daniels will
smell a rat.
But he trusts you, Carv.
You got that
trustworthy look.
BUNK: It's you, Lester.
Got to be you.
FREAMON: Me, huh?
BUNK: We need to bring in
the lieutenant, his detail,
and all the manpower
and toys that go with it.
And Daniels listens when you talk. You got the smell of wisdom on you, brother.
(Chuckling) Now look, we all got roles to play.
FREAMON: What's your role?
BUNK: I'm just a humble motherfucker
with a big-ass dick.
FREAMON: You give yourself
too much credit.
BUNK: Okay, then.
I ain't all
that humble.
GREGGS: I'll be goddamned.
(Camera shutter clicking)
ZIGGY: I swear to
God.
If he plays that
goddamn song one more time, I'ma clock
his ass good.
SHAVED HEAD DOCKER: You can take him, Zig.
DOCKER: He just looks big.
SHAVED HEAD DOCKER: Who the fuck
is he, huh?
All pussy.
DOCKER: You're a legend
of the docks, Zig. A fuckin' legend.
ZIGGY: You think
I can take him?
SHAVED HEAD DOCKER: You can take him.
OTT: Man down, berth five.
MAU: Who?
OTT: New Charles.
DOCKER#2: Ambo's on the way.
SOBOTKA: Jesus Christ.
GOATEE DOCKER: Nightwork with
breakbulk, Frank.
I hate this shit.
SOBOTKA: You guys gonna move
this thing or what?
HORSEFACE: C'mon, Jesus fuck.
SPAMANATO: Ain't supposed to move a guy
when he's hurt, Frank.
SOBOTKA: We'll remember that when
you hit the fuckin' number.
NEW CHARLES: Christ, stop pullin' your dicks
and get this thing off of me.
SOBOTKA: One, two, three.
HORSEFACE: Charlie, here,
take a drag.
(Sirens)
SOBOTKA: That's the ambo, Charlie.
That's the ambo
you're hearin'.
DOCKER#3: Right over there.
HORSEFACE: Don't worry, kid,
you're still on the clock.
NEW CHARLES: Frank, how's
the leg look?
SOBOTKA: Which leg
is that now?
MEDIC:
Sir, can you
hear my voice?
Squeeze my hand.
Let's get him
into the ambulance.
We need you to clear the way for us, guys.
DANIELS: And you followed
the can?
FREAMON: Right to the warehouse.
DANIELS: Surveillance set up?
FREAMON: Kima's on it tonight.
This case needs to be
worked, Lieutenant.
I know it began for you
as a bullshit detail,
but this Sobotka's
into some shit
that needs to be
worked by good police.
The D.N.R.s,
the cloned computer,
we've got the pattern.
DANIELS: And Rawls came to me.
Asked if I would
take the homicides.
FREAMON: You should.
Those girls in the can
really suffocated, Lieutenant.
They really died
in that fuckin' box.
You pick this case up, you might
eat those open murders,
but you let it pass,
you gotta ask yourself how you
want to live your day-to-day.
(Chattering)
SOBOTKA:
From the guys
in 15-14.
Should be alright.
NAT: You know how he got
the name New Charles?
First day of work was
the same day the Paseco
dropped a hatchcover
on Charlie Bannion.
Had to clean up
Old Charlie with a shovel,
ever since then,
New Charles.
He's gonna
lose the leg.
Frank.
Where's
the money from?
DANIELS:
I got your murders.
But what I need from you, I get.
No bullshit,
no arguments.
RAWLS: No arguments.
SEAN: You're wasting
all the batteries.
MICHAEL: So?
Mom, he's wasting
all the batteries.
ELENA: You two get along or I'm gonna
take that tent down right now.
SEAN: Snitch.
MICHAEL: Punk.
SEAN: Squirrel.
MICHAEL: Mope.
SEAN: Shut up.
McNULTY: Who teaches them
this stuff?
MICHAEL: My turn,
you just had it.
McNULTY: Elena.
ELENA: No, no.
No.
I don't trust you.
I can care
about you.
And I can want us to be friends
and if you give me enough time,
Jimmy, maybe I will actually
want you to be happy.
But how the hell am I
supposed to trust you?
MICHAEL: Mom, quick,
it's a spider. Ick, it's a big, hairy one.
SEAN: Oh my gosh. Mom! (Shouting)
DANIELS: But if the case
does come together,
I would at least
have Rawls as a rabbi.
It could still
work for me.
MARLA: Listen to yourself.
DANIELS: I love the job, Marla.
I can't help it.
MARLA: The job doesn't
love you.
DANIELS: You know
what I love?
The mind that's always
a step ahead of me,
the person who never
stops thinking it through.
That's what I fell
in love with first.
MARLA: Do you know what I fell with first?
Do you?
Your ambition.
Where'd that man go?
(Door closing)